Tuesday, July 07, 2009

My fairy book for Disney

Since I got the contract today I think I can safely share the good news:

I’ll be doing a chapter book for the line of Disney Fairies chapter books.

A friend defined a chapter book perfectly. She said: “A chapter book is intended for intermediate readers (7-10). Although these books do have many illustrations, a chapter book tells the story primarily through text, rather than pictures.”

Even before I got involved with these chapter books, I was reading them. I picked one up at the library out of curiosity. I read it in a day and thought it was pretty good! Next thing you know I was reading another and another and another. I think I’ve read, like, eight of them. :-).

Pixie Hollow, where the stories are set, has a very floral feel that is totally akin to the world I created in Zahrah the Windseeker. And there was magic in the world of these spunky little fairies. It’s an easy fit for me.

I’ll be doing a chapter book centered on the character of Iridessa.


I’ve already written a draft of it. The tentative title is Iridessa and the Fire-Bellied Dragon Frogs.

Sunday, July 05, 2009

No SF or F for the Penguin Prize for African Writing? What?!

Ok, I’ve got a serious gripe.


Penguin recently announced an award for African writers called The Penguin Prize for African Writing


"Through this award Penguin aims to highlight the diverse writing talent on the African continent and make new African fiction and non-fiction available to a wider readership."


"Novels of freshness and originality that represent the finest examples of contemporary fiction out of Africa will be considered."


Yet, there is this stipulation:"Submissions in the children’s literature, science fiction or fantasygenres will not be considered"


My first reaction: No science fiction or fantasy genres? WTF?! Well, why the heck not?!


My second reaction: So…just how many Africans are even WRITING fiction directly, openly categorized as “science fiction” and “fantasy”? Sooooo many that this has to be said?


My third reaction: Would novels like Famished Road, Icarus Girl, or Wizard of the Crow be rejected?


My fourth reaction: A prize with this kind of stipulation is openly disrespecting science fiction and fantasy as literature. Good Lord, I felt like I was back in my PhD program again.


My fifth reaction: This will do wonders in inspiring African writers to write science fiction and fantasy (I’m being sarcastic).


My sixth reaction: Well, the judges for the Wole Soyinka Prize for Literature were open-minded enough to choose my fantasy novel Zahrah the Windseeker. So, :-P!


Ok, my sixth reaction was me being a bit of an a**. Sort of. There’s a bit of truth there, too. Science fiction and fantasy ARE literature. It’s reductive and blind to think otherwise.


If I sound like I have a real chip on my shoulder with this issue, I certainly do. Long long story, and a long long history with this issue.


I doubt I’ll submit to this prize, but only because my forthcoming novel will be published by Penguin and, well, I think this prize would better benefit someone whose just coming up. I’m happy that the prize exists. It sounds wonderful otherwise.


If I were submitting, I’ve got a “magical realist” novel that I would send, sure. But it’s unfortunate that if I wanted, I couldn’t send my fantasy novel titled the Legend of Arro-yo which is set in 1929’s Southeast Nigeria, touches on the Igbo Women’s War, deals with female circumcision, and colonialism.


More on my take on SF and Africa in the next few weeks. I’m going to write something Nebula Awards Blog. I've just got to cool down and gather my thoughts.


Nnedi

Saturday, June 27, 2009

And the new title of my forthcoming YA fantasy novel is...

...drum roll please...

Akata Witch

If you don't know what "akata" means: http://en.wikipedia.org/wiki/Akata

"Akátá is a word derived from the Yoruba people of West Africa and it simply means 'fox' [or bush animal]. It is widely used loosely by African immigrants to the United States to describe African Americans and their descendants, and over time it has come to have derogatory connotations due to tensions between African immigrants and African Americans."

I might add that this word is also used for American Nigerians like me (born in the US to immagrant Nigerian parents). Yeah, I'm going there.

There is a definite reason why I chose this title (aside from the fact that I have always wanted to put this godawful word in the title of one of my novels). The tension between African Ameircans and African is indeed part of the book. As is deep deep Nigerian witchcraft.

Akata Witch is schduled for release in the Fall of 2010 from Penguin Books.

You can read a very early version of the first chapter on amazon. It's titled Albino Girl.

Friday, June 12, 2009

Long Juju Man has arrived

I just received my copies of my Macmillan Writer's Prize winning children's book, Long Juju Man. Set in Nigeira, the book is about a girl who is harassed and befriended by an annoying snickering trickster ghost named Long Juju Man. It's 56 pages long and illustrated. The book has really turned out nicely. Here are a few sample pages(click on the image to see a larger version):








Right now, it's only available in Africa and in the UK (you can buy it on Amazon UK). I’m working on that.

Drop me an email if you'd like a signed copy and maybe we can work something out.


Nnedi

Wednesday, June 03, 2009

The Chicago Tribune's Printer’s Row this weekend

Hi all. I will be participating in the Chicago Tribune's Printer’s Row Literary Festival this weekend. I’ll be doing one panel and signing books.

Here is my schedule:

Panel:

Beyond Boys Young Adult Literature: Claudia Martinez Guadalupe, Nnedi Okorafor, and Pamela Todd moderated by Carolyn Alessio

Time: Saturday, June 6th, 2p.m.-3p.m.

Location: Harold Washington Library Center/Reception Hall.

*I hear there are very few tickets left for this, so if you plan to attend, please reserve yours asap.*

Book Signing:

I’ll be signing books in The University of Illinois, Champaign-Urbana tent (“K”), located near Harrison Street between Federal and Plymouth Streets.

Time: Sunday, June 7th, 12:00 PM-1:00 PM

To reserve tickets and for more info go here.

Nnedi

Tuesday, May 26, 2009

Nnedi is a Wiscon Guest of Honor

Now that Wiscon 33 is over, I'm now free to announce that next year, Mary Anne Mohanraj (a writer, editor, and spec-fic community activist) and I will be the Guests of Honor at Wiscon 34 (if you don't know what Wiscon is, it describes itself as the "World's Leading Feminist Science Fiction Convention"...and it IS! . Learn more here). 

I’m both honored and ecstatic. When it was announced at the ceremony on Sunday, there was an enormous applause. That really warmed my heart and almost made me teary-eyed (and that is so unlike me...I don't do public tears). It was truly a beautiful thing. 

I hope to see you all there next year.

Nnedi

Monday, May 18, 2009

May 18th: A Terrible, Horrible, No Good, Very Bad Day

May 18th. Today marks the 16 year anniversary since the greatest turning point of my life, a.k.a. The Story of How I Became a Writer.

I wrote this essay, titled Legs, some years ago (so bear with the writing. I’ve come a long way since). It was published in Africana.com (which eventually was incorporated into Blackvoices.com). The essay summarizes things as much as you can in a few pages. 

It was this incident and all that followed that got me believing in the idea of fate, though I also believe that fate can be very very very cruel and cold. I still have to fight sometimes not to be bitter. Anyway…

Legs

By Nnedi Okorafor

Long and lean, they once moved me quickly about the tennis court at high speeds. They kicked boys in grade school that called me “nigger.” They’re what most men first noticed about me. They are often the source of ridicule. And they are where I have my four tattoos. Nevertheless, these same legs were also the source of the darkest time of my life. And it was my mind which rests somewhere above these legs that carried me to where I am today.

From the age of nine to the summer after my freshman year in college, I spent most of my free time playing tennis. The product of two athletic parents, it was no surprise that I was blessed with their gifts of coordination, speed, and motion. My long legs made me fast and my long arms could blast tennis balls into orbit. My serve was clocked at one hundred fourteen miles an hour. For most of those years I played competitively, traveling around the country to compete in national tournaments with the likes of Lindsay Davenport, Jennifer Capriati and Chanda Rubin.

My senior year in high school I took a break from tennis to join the track team. That spring, I won 22 medals in the 400-meter dash, the mile relay, the high jump and the long jump. But when I got to the University of Illinois, I chose to join the tennis team. Aside from the tennis courts, my long legs took me around a very large campus. All was going well; little did I know that it was all about to change. One can never fully anticipate when something is going to knock her legs from under her.

Through most of my sports days, I had scoliosis, the curvature of the spine. It was genetic. All three of my siblings also had it to some degree but mine was the most serious. From the age of thirteen, my spine had been shaping itself into an “S.” I wasn’t in pain and I looked fairly normal (people just thought I had bad posture). When my doctor told me that if I didn’t have a spinal fusion performed, I’d be severely bent over with crushed internal organs by the age of 25, I wasn’t worried.

“A lot of people have this surgery,” the doctor said. “Even athletes. You’ll be back on the tennis court in 2 weeks.”

The only risk was a one percent chance of paralysis. When I weighed that one percent against a 100 percent chance of being bent over, freakish, lungs and heart squeezed terribly, the choice was obvious. So the summer after my freshman year in college, I walked into the hospital for the surgery. I was in peak physical condition and had few worries.

Ten hours later, I woke up in a hospital bed and fluorescent pink and green praying mantises were hopping around the room and a big black crow was trying to throw its body through my hospital room window. I was so drugged up with morphine and in so much pain that I didn’t notice my parents, sister and my best friend, James, standing there. It took me a full day to realize that my legs were dead. I was completely paralyzed from the waist down. I was a victim of that one percent chance.

I later learned that my doctor lost a lot of sleep those next few days. Just recently, almost a decade after this happened, my doctor said for the millionth time: “I just don’t know what happened.” There was nothing wrong with my legs; he thinks it was the spinal cord that was damaged during the procedure. Those first few days, he wasn’t even sure if I’d ever walk again. My condition was so unusual that at one point my doctor asked if I minded being included in a medical book (“Sure,” I said). A group of doctors even invaded my room to get a look at “such a rarity.” My mother took it the worst. I distinctly remember how her usually perfect Afro being lopsided when she came to see me. My father, a cardiovascular surgeon, took it in stride, focusing on dealing with the problem.

The first two weeks, I was a mess. When you can’t walk, you have to learn to depend on others. To someone who was very vibrant before, this was humiliating. I had to be carried every time I wanted to use the bathroom, take a bath, even to just turn on my side to get more comfortable. And more than once, no nurse answered my call. I watched my skinny but strong legs waste away to sticks. I grew paranoid of fires in the hospital. Since I couldn’t move, I imagined that I’d have to watch myself burn to death.

A horrible stench seemed to waft from the walls next to my bed and I got into the habit of spraying them with perfume. It was in that stinking sad hospital room that I first started to write, documenting my fears and fantasies.

Writing kept me sane.

After the first week, some of the sensation began to return. I wouldn’t be able to move my toe, then the next day I would. Then the next day I could move it with less effort. The second week, I started physical therapy. Don’t believe what you see on TV -- nobody just suddenly finds that he or she can stand up. It’s a long, scary, difficult process that requires intense effort every time.

Imagine not being able to feel your legs. When you close your eyes, they disappear, too. Now try hoisting yourself up on those dead sticks when your back has recently been sliced open. “One fall,” you’ll keep thinking, as you sweat profusely from the effort. But if you don’t try, the less likely you’ll ever walk at all. Again, I had to go with better odds.

I got through physical therapy by focusing not on the results but on the doing. The workout. And I also learned the art of compensation. When I couldn’t do something, I’d find a way to replace that something with an equal but different substitute. For example, I replaced competing on the tennis court with competing with my paralysis. And I was going to win.

I returned home, using a walker. The sensation in my legs was slowly returning, and the physical therapy was regenerating my muscles. Some weeks later, I graduated to a tri-pod walker, sort of a half-walker. By the time I returned to my university, I was using a cane. It was hard because people kept asking me what had happened. Everyone knew me as an athlete and there was no visible sign that anything was wrong with me. I didn’t limp, I’d gained my muscles back. You see, I didn’t need the cane because my legs were weak; I needed it for balance; like a third leg. I walked very slowly and carefully. Some people even thought my cane was just a fashion statement.

Eventually I stopped using the cane, though my balance remained at about 85 percent. I wasn’t able to return to the tennis courts because I could no long move quickly. My legs were strong but the nerve damage made it hard to get them to obey my commands. I continued to compensate. Where I couldn’t compete, I went to the gym. When I couldn’t feel my feet that well when I drove, I started driving with a flashlight, to illuminate the pedals and confirm where my feet were when I needed to. Since I can easily be knocked down due to my not-so-great balance, well, you don’t see me near any mosh pits at concerts.

I also changed my major from pre-med to English. Through that horrible experience I discovered that I had a talent for writing. Everything happens for a reason, I believe. And some of the most horrible things are lessons in disguise.

Once in a while, I look at these legs and wonder what I’d have been doing if this didn’t happen to me. But then I simply fold them underneath my desk and continue writing.

Epilogue

Rocks You Like a Hurricane

This song by the metal band called the Scorpions was the soundtrack to one of my worst morphine hallucinations while I was in the hospital. It involved tennis courts, wet hair, praying mantises and pink large beetles. I don’t know why my brain chose this song. I never particularly liked it.

See/hear it here.


Nnedi